(Mid-chapter: Reilly exits the tree home with Lottie to go to the Embassy, where her father works as the town magistrate.)
“There’s a chance the Deceptors heard us speaking
in the lift the other day, and if they did, they’ll be keeping a
closer watch on our house," Lottie said. "Lifts are
synched by the Deceptors soon after they capture a family member. The lift is
their first point of attack, and the Deceptors become particularly aware of any
outsiders that may be a strength to the remaining family members.”
“But I thought your mom said I’d be safe here.”
“She only meant you would be safe from the Crumble,
not from the Deceptors themselves.” She walked into the hallway
and opened the front door. As they stopped outside,
Lottie said, “Katell, please signal me if you sense any danger.” The
bird blinked twice and gave a slight nod.
Reilly silently followed Lottie to the lift. This time he
noticed a red button with the letter “U” next to the brass one Lottie
pushed before they descended. Insects still drooped from
the ceiling, and the floor was thick with pine needles and undergrowth—so
soft, Reilly thought they might sink through to the ground below. Looking
more closely at the crevices in the walls, Reilly noticed they were
covered with jagged nicks, as if struck or attacked with
an ax. Within a minute they landed on solid ground, the door opened, and they
stepped into the forest.
“Is it okay to talk now?” Reilly asked.
“Yes. We’ve just come through one
of the Undertunnels and there is less chance of being noticed here. The
Deceptors’ first point of attack is on our homes. Most of the city
buildings are synched, too, but to our knowledge the
Embassy is safe. And they haven’t bothered with the country roads.”
“This is a road?” He looked ahead at the pathway, which
reminded him of the forest trails near his home. After a few minutes they rounded a corner and stepped onto a
path that opened into a lush clearing of rolling hills as green as those he had
seen in pictures and movies of Ireland. A horse-drawn buggy headed
their direction; they stepped to the side and let the
carriage pass. “Weird,” Reilly whispered to himself.
“Pardon me?” Lottie said. “Did you say something?”
“Nothing. This is all so much different than I thought it
would be.”
Lottie smiled as she smoothed the wrinkles of her long skirt
and adjusted the satchel hanging over her shoulder. “I’m a good listener.”
She
tucked her hand through Reilly’s left arm as they began to walk.
Reilly immediately thought of Norah. He felt a
split second of searing pain in his chest, longing to protect her.
With his hands tucked into the pockets of his baggy pants,
he felt the ruby and red flower on one side, and the Fireglass on
the other. He wondered why he was glad Lottie was at his side.
She seemed older than fourteen.
Reilly could feel Lottie look up at him with her mesmerizing
eyes, but he looked straight ahead. “I don’t know why, but going through this
portal—the one to Ireland in 1896—is much more difficult for me to grasp than
any of the other ones,” he began. “And I’ve been through seven. It all started
a few weeks after my dad drowned. I found a star-shaped stone called a
Stelladaur and learned how to use it to go through portals to other places.
Usually, if the stone was wet and I held it up to the light at a certain angle,
I could open a portal. Sometimes a portal opened from the place where a rainbow
met with the ocean. Another time it opened through an ice
cube. And the last one—before I came through the library—was in a fireworks
display.”
He glanced down at Lottie from the corner of his eye.
She seemed to be taking it in well, so he continued. “Anyway, each place I went,
I discovered more about the Stelladaur and what it can do. There’s
a Stelladaur for each person ever born, but many don’t ever find theirs. If
they do find it, their Stelladaur can bring them whatever they want most, if
they learn how to access its power. You probably think this is a joke, huh?”
“Not at all,” she said softly. “I’ve always believed other
realms exist beyond here, and I’ve wished I could find one. But I’ve never felt
comfortable telling anyone that before … until you, Reilly.”
“I … uh …” He fumbled in his pocket for the ruby and the
flower as his mind raced with thoughts of Norah and his heart beat rapidly. “I
have—had—a couple of friends I could talk to about the Stelladaur. But they seem
to have all left me.”
“I’m sorry.” She patted his arm. “Who?”
“There’s Eilam. He’s been around long before either of us.
Until a few days ago, I saw him just about every day of my life.
Then he left me a note that said he had to go away for a
while, and to remember the things I’d learned from my Stelladaur.”
“Where is your Stelladaur now?”
“Also gone.”
“And you don’t know where?”
“No. I always kept it hung around my neck on a cord. Then
one day it was just gone. Eilam told me I wouldn’t need it anymore …
that if I listened to my heart, I’d always know what to do.”
He wanted to stop walking and take the flower from his
pocket, to look at it and touch it carefully, to see if by magic Norah
would appear at his side. But it felt good to have Lottie’s hand rest on his arm, and seemed comfortable talking with her. What was it about warping
through time zones and parallel worlds that compelled him to connect with these
two girls? He ached for Norah, but being with Lottie lifted his melancholy
mood.
“And do you believe that?” Lottie asked. “Do you believe
that if you listen to your heart, you’ll know what to do?”
“I think so,” he said, though he knew he was trying to convince himself.
“I think so,” he said, though he knew he was trying to convince himself.
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